7 haikus for a turntable 
     acétylène
    ootil
    volta feedback
    again the sunset
    cancellled live
    
    
    
    
ootil - snæbjörn
    
cancellled atlas 
  
    cancellled wtc I II III 
    
    ground
    headcrash
    drift-02
    silkscreenrecords serie
    unstatic
    dual drive
    quasi static crack propagation
    propaganda
    phonographes vinylisés
    komatsu
    a record without a hole
    drift-01
    macro static
    diatribes&phonotopy
    discsection
    wireless_archive
    deadmedia_archives
    neverrecord_radio greux !
    neverrecord_sonfunk
    radiofreerobots_silicon carne
    random
    appears on ddaa
  prrbrtynnlgjrmfn
ongoing projects
    
    
    
    
    
    
    discography 
  
	  wkdts-64
	  ic-03
    ttt- 31
    tanuki- 25
    vlek- 25
    aka- 22
    ph- 07
    ihab-100
    ar- 96
    cw- 11
    sr- 15
  oral- 48
    insubcd- 06
  ph- 05
    aka- 11
    ms- 20
    insubcdr- 10
    aka- 03
    ph- 02
    ph-03- 04
    sf- 02
    sf- 01
    aka- 01
    ph- 01
    wds- 03
    pfff- 01
ARTKILLART - 22 | DRIFT-02 - lp

12 grooves of  silence are cut on each side, overlaid upon each others, revealing the material's artefacts .
      includes texts by Samon Takahashi
      artkillart / phonotopy 2016 
    
    
    
    available in metamkine and staalplaat
    or directly form artkillart
» This record, while technically being a disc “on” silence, is a  record “of” transparency. Suddenly one can conceive that transparency,  whilst not being a color for the eye, is undeniably one for the unheard.
    What we hear is not only the result of the machine recording nothing  but the sum of the toneless events of this past process and of our  present listening. By re-enacting the figured silence of the mechanics,  the quality of your turntable, background noise, amplification, sonic  environment…, contribute to the compression of time.
    The sound becomes a transparent, transpiring material; through the tangible silence, music exudes as a twilight breath.
    […]
    In the lineage of his “phonotopies”, Yann Leguay pursues the conceptual  and phenomenological exploration of mechanical sound. “Drift” series  pushes the technical limitation of the machine. Namely, engraving the  crossing of grooves on a vinyl record. The “drift” therefore arises when  the needle changes path according to these crossings. Drift #2  documents this operation without any sound source having been recorded.   »
Samon Takahashi



