material
situation
time
in collective
pencil

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

contact

no lemons no melon
7 haikus for a turntable
acétylène
ootil
volta feedback
cancellled live



again the sunset
propaganda




ootil - LP - bioolar order
ootil - track - from computer with love vol.4
ootil - digital - snæbjörn
cancellled atlas - tape
cancellled wtc I II III - tape
ground - tape
headcrash - LP
drift-02 - LP
silkscreenrecords serie - EP
unstatic - digital
dual drive - digital
quasi static crack propagation - cd
propaganda - digital
phonographes vinylisés - dvd
komatsu - cd
a record without a hole - EP
drift-01 - 2xLP
macro static - digital
diatribes&phonotopy - miniCD
discsection - LP
wireless_archive - EP
deadmedia_archives - cd - tape - LP
neverrecord_radio greux ! - digital
neverrecord_sonfunk - cdr
radiofreerobots_silicon carne - LP
random - LP
appears on ddaa - cd
prrbrtynnlgjrmfn - cdr

 

ongoing projects








past performances



discography

ABb-23
dtzbrg-22
wkdts-23
ic-03
ttt- 31
tanuki- 25
vlek- 25
aka- 22
ph- 07
ihab-100
ar- 96
cw- 11
sr- 15
oral- 48
insubcd- 06
ph- 05
aka- 11
ms- 20
insubcdr- 10
aka- 03
ph- 02
ph-03- 04
sf- 02
sf- 01
aka- 01
ph- 01
wds- 03
pfff- 01

ARTKILLART - 22 | DRIFT-02 - lp

12 grooves of silence are cut on each side, overlaid upon each others, revealing the material's artefacts .
includes texts by Samon Takahashi
artkillart / phonotopy 2016



available in metamkine and staalplaat
or directly form artkillart

» This record, while technically being a disc “on” silence, is a record “of” transparency. Suddenly one can conceive that transparency, whilst not being a color for the eye, is undeniably one for the unheard.
What we hear is not only the result of the machine recording nothing but the sum of the toneless events of this past process and of our present listening. By re-enacting the figured silence of the mechanics, the quality of your turntable, background noise, amplification, sonic environment…, contribute to the compression of time.
The sound becomes a transparent, transpiring material; through the tangible silence, music exudes as a twilight breath.
[…]
In the lineage of his “phonotopies”, Yann Leguay pursues the conceptual and phenomenological exploration of mechanical sound. “Drift” series pushes the technical limitation of the machine. Namely, engraving the crossing of grooves on a vinyl record. The “drift” therefore arises when the needle changes path according to these crossings. Drift #2 documents this operation without any sound source having been recorded.  »

Samon Takahashi

 

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phonotopy