no lemons no melon
7 haikus for a turntable
acétylène
ootil
volta feedback
cancellled live
again the sunset
propaganda
ootil - LP - bioolar order
ootil - track - from computer with love vol.4
ootil - digital - snæbjörn
cancellled atlas - tape
cancellled wtc I II III - tape
ground - tape
headcrash - LP
drift-02 - LP
silkscreenrecords serie - EP
unstatic - digital
dual drive - digital
quasi static crack propagation - cd
propaganda - digital
phonographes vinylisés - dvd
komatsu - cd
a record without a hole - EP
drift-01 - 2xLP
macro static - digital
diatribes&phonotopy - miniCD
discsection - LP
wireless_archive - EP
deadmedia_archives - cd - tape - LP
neverrecord_radio greux ! - digital
neverrecord_sonfunk - cdr
radiofreerobots_silicon carne - LP
random - LP
appears on ddaa - cd
prrbrtynnlgjrmfn - cdr
ongoing projects
past performances
discography
ABb-23
dtzbrg-22
wkdts-23
ic-03
ttt- 31
tanuki- 25
vlek- 25
aka- 22
ph- 07
ihab-100
ar- 96
cw- 11
sr- 15
oral- 48
insubcd- 06
ph- 05
aka- 11
ms- 20
insubcdr- 10
aka- 03
ph- 02
ph-03- 04
sf- 02
sf- 01
aka- 01
ph- 01
wds- 03
pfff- 01
AUDITION RECORDS - 96 | DUAL DRIVE - net release
ar096
download the whole track from audition records 24:27:872
dual drive - yann leguay & gudinni cortina
5400rpm hard drive + arduino + mixer + controller + magnetic pickup + vinyl pickup +
7200rpm hard drive + extend mixing board + steel pellets + jack + contact mic + phone pickup
recording : felix blume.
recorded live at anàhuac 33, may 8, 2014, in mexico city.
thanks to eli pinto, mario de vega, carlos prieto acevedo, julian bonequi, angel, and especially to juan j. garcia and aimée theriot.
picture by fernando espinosa de los monteros. design by audition records.
auditionrecords
May, the 8 2014, from Anàhuac 33 to the end of the track.
"A mexican experience printed as a 160Km/h night in a devil's car with inside speakers blowing pure noise at full volume. Going by small streets and taking backward shortcuts on the highway, roaming nowhere from Anàhuac, the number 33 was still resonating from the live done there few hours before, around an unexpected meeting on a dual-drive set-up. A face to face of 2 hard-drives mixed in the middle of the small squared room. From 0 to 7200 rpm, phasing and crossing feedbacks, pushing crackles and rhythms with a huge rumbled bass as an earthquake effect that happened that morning. This whole deep last night before leaving was a perfect synthesis of the 336 hours passed in Mexico. To meet G. Cortina by sound was a perfect pretext to fix it into this recording. "