7 haikus for a turntable 
     acétylène
    ootil
    volta feedback
    again the sunset
    cancellled live
    
    
    
    
ootil - snæbjörn
    
cancellled atlas 
  
    cancellled wtc I II III 
    
    ground
    headcrash
    drift-02
    silkscreenrecords serie
    unstatic
    dual drive
    quasi static crack propagation
    propaganda
    phonographes vinylisés
    komatsu
    a record without a hole
    drift-01
    macro static
    diatribes&phonotopy
    discsection
    wireless_archive
    deadmedia_archives
    neverrecord_radio greux !
    neverrecord_sonfunk
    radiofreerobots_silicon carne
    random
    appears on ddaa
  prrbrtynnlgjrmfn
ongoing projects
    
    
    
    
    
    
    discography 
  
	  wkdts-64
	  ic-03
    ttt- 31
    tanuki- 25
    vlek- 25
    aka- 22
    ph- 07
    ihab-100
    ar- 96
    cw- 11
    sr- 15
  oral- 48
    insubcd- 06
  ph- 05
    aka- 11
    ms- 20
    insubcdr- 10
    aka- 03
    ph- 02
    ph-03- 04
    sf- 02
    sf- 01
    aka- 01
    ph- 01
    wds- 03
    pfff- 01
AUDITION RECORDS - 96 | DUAL DRIVE - net release
 ar096
 ar096
    download the whole track from audition records 24:27:872  
dual drive - yann leguay & gudinni cortina
5400rpm hard drive + arduino + mixer + controller + magnetic pickup + vinyl pickup + 
    7200rpm hard drive + extend mixing board + steel pellets + jack + contact mic + phone pickup
    recording : felix blume.
    recorded live at anàhuac 33, may 8, 2014, in mexico city.
    thanks to eli pinto, mario de vega, carlos prieto acevedo, julian bonequi, angel, and especially to juan j. garcia and aimée theriot.
 picture by fernando espinosa de los monteros. design by audition records.
  auditionrecords
May, the 8 2014, from Anàhuac 33 to the end of the track.
    "A mexican experience printed as a 160Km/h night in a devil's car  with inside speakers blowing pure noise at full volume. Going by small  streets and taking  backward shortcuts on the highway, roaming nowhere from Anàhuac, the  number 33 was still resonating from the live done there few hours  before, around an unexpected  meeting on a dual-drive set-up. A face to face of 2 hard-drives mixed  in the middle of the small squared room. From 0 to 7200 rpm, phasing and  crossing feedbacks,  pushing crackles and rhythms with a huge rumbled bass as an earthquake  effect that happened that morning. This whole deep last night before  leaving was a perfect  synthesis of the 336 hours passed in Mexico. To meet G. Cortina by sound  was a perfect pretext to fix it into this recording. "